2010: A Year of Weddings

And what an exciting year it was! As it wraps to a close, I am, and continue to be, eternally grateful to have been invited into the lives of so many wonderful couples. To share such a special day with them and their families, while being entrusted to capture the details and moments that will tell their story for years to come, is a responsibility I take very seriously.

It's been over 11 years since I photographed my first wedding, and I'm happy to say that I still get choked up at least once at every one. I still have moments where the enormity of what such a day means hits me in the chest and wrangles my heart. And I love it.

I tried to include at least one shot from every wedding I shot in 2010... and I'm crossing my fingers that I didn't leave anyone out (I pulled the images late at night from my own blog, so.... anything is possible).

Grateful for each and every one of my clients, I hope they find that within every image I created for them, is a little piece of my wrangled heart.

xoxo

Some gorgeous getting ready moments

Portraits and other beautiful moments

Cute kiddos

Details and reception image yumminess

2011, here we come!

NYC for Some Book Writing TLC

We left for New York on Friday morning, and Thursday night found me in a fit of stressed out frenzy, desperately wanting to cancel the whole thing so I could stay home and enjoy four gloriously peaceful days to get ahead on all the projects on my plate. Surely that would be more relaxing than driving an hour to the airport, taking a shuttle, catching two flights, another shuttle, a 1.5 hour train ride followed by a subway jaunt, only to repeat the travel mania on the way home a few days later (getting back super late, with an early start on the agenda for the next day, of course). Emir, on the other hand, knew that if I we canceled... I'd be equally bummed about having missed out on the great trip we had planned (not to mention some of the sample files for my book), so... we made a midnight trek to the store to grab a few last minute items before coming home to fret a bit more about which bag to take (or not). Seriously. It was almost comedic. Roller bag(s) or backpacks? A camera bag, or just tuck all my gear inside my clothes for cushioning?

Ultimately, we finished packing just before we left the next morning, fitting everything (for both of us) into a single carry-on roller bag (yes!). We even got my laptop in there so I could write along the way! (My camera gear came along in a purse/bag from Epiphanie)

We spent our first day strolling from Central Park West towards downtown. We shot along the way, snapping examples for my book and a few group shots for tourists who asked.

As expected, the city was swarming with mobs of people anxious to do some holiday shopping, and it wasn't uncommon to see lines of people waiting to get inside stores that had already reached capacity.

Not a fan of the mob scene, we crossed some shots off our list at Grand Central Station before jumping on the 2 and escaping to the quiet promenade of Brooklyn for lunch. LOVE.

We strolled Brooklyn for awhile before deciding to walk back to Manhattan across the infamous Brooklyn Bridge.

How funny is Emir? I don't know what I'd do without him...

More from Manhattan...

The next day we awoke to the sound of rain and and decided to spend the morning working at the neighborhood Starbucks before heading back downtown to B&H (deserving of a blog post all its own) and later, show tickets to "American Idiot."

After the show, we played with my new S95 in Times Square at night before devouring some more NY pizza and cheesecake, later heading back uptown to catch some z's.

I'm so, so, so glad we went after all. Emir is a saint. Thanks love.

My kind of Disneyland

To say that Emir and I spent a ridiculous amount of time at B&H's flagship store in Manhattan on Sunday, would be an embarrassing understatement. When I say ridiculous, I mean… We were there for over four hours. Trying to decide between Canon's G12 and S95, we stayed busy testing every conceivable camera body/camera bag combination we could come up with, trying to think of every imaginable shooting situation we might encounter while traveling, hanging out with friends, or just in daily life when I might not have have (nor want) my 5DmII with me. It was my first time seeing the store live and in person, and I'll admit… I was giddy. Emir laughed while I exhibited a child-like wonder that easily rivaled any kid's first visit to Disneyland, which is not as far fetched as you would think.

There were doormen, greeters and even drinks and snacks… all from staff who, in their matching green B&H vests, literally resembled little green elves, delivering holiday joy with three simple words, "Welcome to B&H!"

As we wandered our way through the entrance, the impressive signage made finding what we were looking for easier than spotting a costumed character in the Magic Kingdom. Over 235,000 different items, and I could get to what I was looking for in a matter of seconds. Unbelievable.

Eventually, the dreaded announcements began. "Ladies & gentlemen, B&H will be closing in 45 minutes." Followed by, "Ladies and gentlemen, B&H will be closing in 15 minutes." Finally, they started turning the lights off (literally) and we were forced to leave. We did have a Broadway show to catch, so I guess it was good that they kicked us out, or I'm sure we would've missed it.

As we made our way to the front door with our order ticket in hand, we were awe struck by the famed B&H over-head conveyor-belt system as it magically delivered items from the stock room to the check-out counter, just for us.

It seems silly to think that a 'super warehouse' of camera goods could be considered a 'featured attraction' in a city as jam packed with entertainment and cultural treasures as New York, but… it just is. Or, at least, it was... to me. :)

I spent a lot of time thinking about what makes them so different from the countless 'camera/computer/electronic' stores the line 5th Avenue and Broadway anywhere from 32nd to 48th Street. Why is B&H so monstrously huge, successful, and efficiently well-run, while other stores seem to struggle (despite the fact that one of them managed to get $35 out of me for a 4G SD card--arg!)?

Does it all stem from a single wise decision made waaaay back in the day when they first started? Is it related to personal connections and good negotiations that eventually lead to a loyal client base that exponentially expanded? Maybe it's just the unbeatable combination of great product knowledge, easy accessibility and a company culture that is reminiscent of everyone's mysterious and aloof uncle that you can't help but love.

The guys who answer the phones are hands-down my favorite. The way they say, "B&H, how can I help you?" in their thick New York accents with only faint interest but intense efficiency, makes me laugh every time I think of it. (I once got wrapped up into a long and detailed personal conversation with one of them, who I later ran into at an event in Kansas City… and he remembered me. By name.)

Might be worth taking the kids. Maybe you could convince them that it's Disney's Magic Kingdom of the northeast?

Canon PowerShot S95 vs Canon PowerShot G12

The prowess of my dedicated 'purse cam' recently reached new heights with the acquisition of Canon's new point and shoot dream boat, the PowerShot S95. I had been looking at and planning to buy the PowerShot G12---until I happened upon the S95, which completely t-boned my G12 intentions. That's not to say my decision was simple. In fact, one could make a very compelling argument that both cameras could have a fiercely defendable place amongst your collection. It's not unlike the fact that, despite the prolific existence of desktops, laptops and iPods… apparently, there is still a niche in our lives that is perfectly suited for the iPad.

My goal was to replace the horrific noise reduction and laughable control options of my archaic SD750 (circa 2004) with something that has manual control in super compact and portable form, and it was not an easy choice. Not by a long shot. The G12 has some unbelievable bonus features, and though it's obviously much smaller/lighter than my 5DmII, the S95 literally fits in my pants pocket. Even on the rare day when I don't mind sporting a pair of skinny jeans. Word.

Thus… I obsessed.  I fretted about which size purse I typically carry on any given day. Would the G12 be ok in it? What about with a case? Would the larger weight drive me bonkers? Would I even notice it amidst all the other stuff that's usually in there? What if I'm riding my bike (or hitting the town)? Would the S95 be better? If I did get the G12, would it end up sitting on the shelf waiting for the call of the open road, while I make more practical and daily use of the camera that's built into my 'always with me' phone?

How would I use it? Am I ok with a wristlet, or do I really want a neck strap? Is it worth having to source my own, as even though the S95 has dual wristlet openings, they're not the right size for a standard neck strap? Do I want/need the flip out LCD screen on the G12? Should I really care that I can put a lens converter on the G12? If I find myself wanting a rig like that, wouldn't I just bring along my real gear and call it good? A hot shoe? For a personal/vacation camera?

What about long exposures? I have a mini-gorillapod from Joby that I'm wildly fond of. Like the S95, it easily fits in my pocket, or my purse. But with a minimum aperture of only f/8 and without the built in neutral density filter of the G12, could I even achieve a slow enough shutter speed in bright conditions on the S95 to bother with letting my beloved gorillapod weigh in on the decision?

As you can see… not an easy decision. Here's the skinny.

Both the G12 & the S95 cameras feature the following:

  • Full manual control
  • ISO capabilities of 8o-3200
  • 10 megapixel capture
  • Slowest available shutter speed of 15 seconds
  • RAW + JPEG
  • HD Video
  • Digic 4 Image Processor
  • Hybrid Image Stabilization
  • Smallest available aperture of f/8
  • A staggering collection of 'scenes' including a built-in tilt-shift simulator (referred to as 'miniature') and fish-eye effect

I was actually told that on the inside, they're essentially the same camera (same sensor, processor, etc...). From there, they start to differ, but only slightly. And what one seems to give, the other appears to take.

G12 Highlights - $469

  • Faster shutter speed (up to 1/4000 compared to the S95's max of 1/1600)
  • Better grip (feels similar to dSLR, the S95 is really tiny in comparison)
  • Built-In neutral density filter (amazing!)
  • Flip out LCD screen
  • Hot shoe for external/off-camera flash
  • Ability to add lens converters to extend focal length up to almost 200mm
  • Connection for an intervalometer
  • Comes with a neck strap
  • Effective focal length of 28mm - 140mm (vs. the S95's range of 28mm - 105mm)

G12 Drawbacks

  • The viewfinder is a joke so I'd likely end up holding/shooting with it like a regular point and shoot anyway
  • At 12.4 oz, the G12 is more than twice the weight of the S95 (6 oz)
  • The extra weight makes it too heavy for vertical shots on my beloved gorillapod (horizontal shots are fine though...)
  • Maximum aperture of f/2.8 (compared to 2.0 on the S95)

S95 Highlights - $369

  • Crazy compact. At only 6 oz, it's less than half the weight of the G12
  • Because it's so light-weight, it's perfect on my mini-gorillapod, which also fits in my purse
  • Slightly bigger LCD screen (3") than the G12's (2.8")
  • Maximum aperture of f/2.0 (at the widest focal length, of course), vs. f/2.8 on the G12 (also only at wider focal ranges)

S95 Drawbacks

  • Maximum shutter speed of 1/1600
  • No built in neutral density filter to compensate for a max shutter speed of only 1/1600
  • There's no hotshoe/intervalometer connection
  • Comes with a wristlet strap only. If you prefer to wear it with a neck strap for constant access like what you'd be used to with a dSLR, you'll have to make one yourself or find one specially designed for the smaller connections of a compact point and shoot (a standard neck strap won't fit through the tiny slots, but it's worth knowing that there are in fact, two). You could have your choice of a traditional double sided-neckstrap or a singly attached lanyard style.

After crazy amounts of back and forth dialogue, here's what I based my decision on:

  • My main priority, next to having manual control, was compact size. I can carry the S95 in my pocket or my purse... even with my favorite little tri-pod.
  • When I pack my gear bag for personal/travel photos, I usually only bring two lenses: my 16-35mm f/2.8, and my most fave, the 50mm f/1.4. So I didn't feel like the extra focal length of the G12 was a necessity (though if the S95 had it, I certainly wouldn't complain)
  • The one feature on the G12 that gave me the greatest pause was the built-in neutral density filter. Since the minimum f/stop on both cameras is f/8, it's awesome that the G12 has both a faster maximum shutter speed and the ND filter, making it possible to shoot at wider apertures or use longer shutter speeds, even in broad daylight. I decided that if I really need ND capabilities, I could keep a snippet (or two) of a ND gel in my camera case for the rare occasion when I might want it
  • Even though the G12 feels like a dSLR in your hands, the viewfinder is so laughable, you really have hold it and shoot with it like a true point and shoot, so... the S95 just made more sense to me. For now. :)

Here are some shots from a recent trip to NYC, captured on the S95, all straight out of camera.

This was a test to see what kind of slow shutter speed I could get away with in a bright situation (Times Square at night is far from dark!). This was exposed at 2 seconds, f/8, ISO 80. A ND filter would've been nice in Times Square, but wasn't absolutely necessary.

Here's another long exposure in a darker area. 6 seconds, f/8, ISO 80. In this darker scene... no ND filter? No problem! (Don't you love star bursts at f/8?)

This is an example of the built-in feature called 'miniature' that mimics a tilt-shift lens. (Also available on the G12)

An example of the built-in fish-eye effect (also available on the G12). I'm not usually a fan of 'effects,' but this was fun to pull off without having to lug around my fish-eye. :)

A low-light shot. Unbelievably clean, and the color looks great. 1/30th, f/2, ISO 800

Here's the gorillapod set-up that made the long exposures (the first two sample images) possible--> I just wrapped it around one of the many street barricades nearby. (This behind the scenes image was shot with the ancient SD750 I was so anxious to replace.)

I still entertain the idea of getting the G12 to bring on once-in-a-lifetime trips (like an upcoming one we have planned for Morocco... with bright sun and lots of sand, making an ND filter look pretty attractive), but... for now, I am madly in love with the S95.

Either way, you really can't go wrong. They're both happiness in a little black box. :)

Ch-Ch-Ch-Chilly

With temperatures poised to plunge dramatically this weekend... I find myself almost feeling nostalgic for the hot days of summer when humidity was thick enough to occasionally fog up my camera lenses. Almost. This image was shot in Miami, whose humidity makes Nebraska's look like small potatoes! (Of course, it's much more tolerable when you have the beach at your beck and call... :)

Java, Biking, and the Pitter Patter of my Keyboard

It's December 4th and I'm proud to say that all of my 2010 brides already have their wedding albums in their pretty little hands (with the exception of the most recent three whose books are in production and should be shipping soon!). Holiday orders are finished. Love shoot albums have all been sent out. I'm even ahead on remitting sales, payroll, and quarterly taxes! Back in September, I had the chance to share my wickedly awesome streamlined workflow philosophies with attendees of the WPPI Roadshow in Detroit, and I've spent all of 2010 happily executing everything I talked about in Motor City, making for a truly awesome year. (Hopefully I can offer the same class as a platform class at WPPI 2012... until then, I'll be teaching not one, but ***two*** master classes at the 2011's WPPI! Registration is open now, and while my first master class is already sold out, I'm told there's one seat left in the advanced one... who will get it??????)

The month of December was intentionally blocked out on my calendar to work on various projects (and ideally spend time with the nephews) and it's been busy so far! Here's a sneak peek of me hard at work on my biggest project of the moment... more details coming soon!

Down the Aisle: Amy + Kyle

Simply put, Amy & Kyle's day was a gorgeous celebration of love in the absolute beautiful and perfect splendor everyone imagined it would be! I am incredibly thrilled to have been invited to be part of it... as to know Kyle & Amy is to adore them. Instantly. Well done and well deserved. Best wishes... and congratulations to you all! :) Dress(es): Ellynne Bridal ( party dress for the reception... so cute!) Reception: the Hilton, Omaha Reception Lighting: (love!) PSAV Florist: Debbie Pitt, Flowers for Special Occasions Band: The Rumbles Cake: Cameo Designs by Donna

Yours truly, earning my keep as I pinned the entire wedding party (dads included!)

Are you serious!?????? Jaw droppingly drool worthy.... beautiful, beautiful, beautiful! Reception lighting makes a HUGE difference!

Emir cam!

Of course, Amy & Kyle didn't just dance... they performed!

Love Shoot: Meghan + Brandon

She's a flight attendant. He's a programmer. They're both adorable. With a May wedding on the calendar... we squeezed in their love shoot tonight with the last few leaves hanging around on the trees in a dazzling display of cooperation from mother nature. :) It's been awhile since I busted out the tilt-shift, but shots like this are why I keep reaching for it now and then...

We found one of the few trees around still sporting a full flock of leaves... how nice of it to play along! Meghan and Brandon brought a full picnic basket complete with french baguette, grapes, cheese & cider (and a surprise muffin treat for me!). All the yumminess was wrapped up in true crafty maven style using Meghan's grandmother's fabric swatches...

Their first date was the movie "Pride and Prejudice," so naturally... a leather bound book copy was a must here! (wrapped up old skool style in Brandon's belt = love)

Meghan and I dished on the adorableness of Brandon's cheeky smile lines.... so cute!

We did it guys! Full speed ahead for May!

Down the Aisle: Lauren + Bobby

What fun! Surrounded by family & friends (and several other beloved KaBloom brides), Lauren + Bobby tied the knot on what may possibly have been the  most gorgeous November day in all of Nebraska's history... Truly a beautiful day for a beautiful bride!

First look... courtesy of the Emir cam!

I am in ***LOVE*** with this shot! :) Special thanks to the Embassy Suites in La Vista, Nebraska for the groovy wall covering... and to the University of Nebraska - Omaha's faculty jazz band for providing the fabulous silhouette! :)

This cake shot rocked my world too!  The ballroom was beautiful, but cakes have a habit of being set up to be beautifully viewed by guests, but not always beautifully photographed (ie: exit doors/dj stand/otherwise less than gorgeous wall in the background). With a definite front side, it wouldn't work to photograph it from behind (the "L" would be backwards) either... So I lit it in a way that behaved like a spotlight... hiding everything else from sight. Boo-yaw! I love the 'dots' on the fondant... and the shadows they create when lit like this!

The beauty of the ballroom!

Congrats guys! :) Hope the drive back to Springfield was full of happy chitter chatter about what a great day your wedding was!!!!

xoxoxo :)